for insufficientjewel.
A man's footfalls, light for his size, and coming closer. Were she not dazed with hunger, this would be her sign to flee, to become once more one with the night, gone half a mile before he has so much as a chance at rounding this corner. This hunger is a frightening one, though, it cuts deep and for the first time since she herself was turned, Celeste fears what might come after. If she does not feed, what madness might befall her? If she is so close to losing her senses in the presence of her victim now, what will happen if she flees, if she means to last through another day, to hunt another night? Few are out past curfew these days, and fewer are inclined to invite strangers into their homes past sundown. The woman before her is her safest wager.
And not only because she has already fallen under her spell, having forgotten those pleas for aid and mercy she'd uttered at the first sight of her attacker's fangs. The woman is still now, stiff as a board, and though there is sentience yet flickering behind her eyes, she cannot fight a vampire's might. She almost pities her: it is not, she recalls, a pleasant feeling.
The steps come closer, though, and there is no time to search for humanity in her unbeating heart. Even in life, she would not have chosen it. This may no longer be a question of life and death, but she is seeing double, hearing echoes, and she cannot wait another night, cannot last another scalding day, if she does not do as her nature commands.
She leans forward, then, presses her victim bodily against the wall, buries her fangs in her neck and smells a man's scent so close as though –
She is grabbed, drawn back, and though her strength by far outdoes that of her opponent, her dazed state is enough to stop her. "This does not concern you," she murmurs, eyes half shut as she means to keep her victim under her control. The woman slides to the ground, rattled by the pain of the bite, and it is more difficult to keep her hypnotised when facing away from her. "Leave this place, good sir, or find yourself in trouble beyond your reckoning."
And not only because she has already fallen under her spell, having forgotten those pleas for aid and mercy she'd uttered at the first sight of her attacker's fangs. The woman is still now, stiff as a board, and though there is sentience yet flickering behind her eyes, she cannot fight a vampire's might. She almost pities her: it is not, she recalls, a pleasant feeling.
The steps come closer, though, and there is no time to search for humanity in her unbeating heart. Even in life, she would not have chosen it. This may no longer be a question of life and death, but she is seeing double, hearing echoes, and she cannot wait another night, cannot last another scalding day, if she does not do as her nature commands.
She leans forward, then, presses her victim bodily against the wall, buries her fangs in her neck and smells a man's scent so close as though –
She is grabbed, drawn back, and though her strength by far outdoes that of her opponent, her dazed state is enough to stop her. "This does not concern you," she murmurs, eyes half shut as she means to keep her victim under her control. The woman slides to the ground, rattled by the pain of the bite, and it is more difficult to keep her hypnotised when facing away from her. "Leave this place, good sir, or find yourself in trouble beyond your reckoning."

no subject
Faith is, he recalls, a shield against such creatures. It shows in how she recoils, in that pain in her expression when she flinches back. One hand rises to his chest, to feel beneath the cheap linen of his shirt the small weight of the cross. It is not an expensive one, or a particularly fine one: it is what he could afford, and that has rarely been much. But it is important, nonetheless, and to put it aside seems to be a crossing of some line that may never be uncrossed. To put aside the cross, for the creature lost to God... there is a hideous poetry in the thought.
"I will take it off." Faith, he reminds himself, does not lie in the workings of some cheap metal, no more than it lies in the movement of a hand across the body. Faith is in the hard choices, and in trusting where they lead. "When you swear that you will not turn on another, that you will feed from me and be done; I will take it off, and you may have your fill."
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It doesn't mean she minds them – she likes very much to be on the receiving end. There is just not a single one she has made and kept at all.
Even now, the weight of it is almost absurd: what if he perishes of any of those mortal diseases? What if there is already a taint to his blood that renders it sour on her tongue? However, she sees no ready way around it, and the breaking of the vow can wait until after the making of it. "Give me your hand, then." She extends her own, pale and cold.
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He reaches out, and, taking her icy hand in his, is acutely conscious of the heat that pulses beneath his own skin, the blood that rushes red and rich beneath the surface of his slender hand. The seal on the bargain, and the prize he offers, all at once. Does she slaver at it?
Has she, at any time since this began, ceased to slaver?
"I do not know what your kind can swear to. But so long as you hold to it, I will hold to my part, and let you feed as you require. Is that just?"
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"It is just." It is the first just thing that has come her way in some time, and teeth seem sharper now in the dim light, her eyes now wide like those of a predatory cat on the hunt. This is not the look of a lady about to make a wise choice, and this finally seems to occur to her, too, as a more human sentience creeps back into her expression. "The deal should not be sealed out in the open like this. I have been interrupted once on this night, and I cannot count on your fellows to be so humane."
no subject
And he will not consider the other thoughts behind that; the weight of the smile she gives him, or the decidedly un-Christian stirring it awakens in him. He forces it back, and swallows, nodding.
"I have lodgings down the street." He is already damning himself in making this deal at all, and she will no doubt kill him in the end whatever he does; to allow her into the small apartment he rents will not make matters worse. More embarrassing, perhaps, if his landlady sees him return home with a woman; but despite his earlier ambitions, he is not a priest, and it is not against any law for him to bring a woman into his home. (It is against his own conscience, and the obvious implication is enough to bring a little colour to his cheeks, but that cannot be helped. None of this can be helped.) "That should be safe enough, I think."
Besides the large crucifix hanging above his bed, in any case. But that can be taken down, if he must.
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Neither option matters when she can relish in her teasing. "It is always a pleasure to be invited into a handsome man's home." She offers him her arm for guiding, and perhaps to drive in deep the stake of her salacious tones.
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But he is nothing if not dutiful, and nothing if not polite; and he cannot leave her holding her arm out in expectation, waiting. Red-faced and with his blood pounding in his ears, he takes her arm gingerly and begins to steer her towards the rented rooms that are, indeed, not all that far from here.
"You will need to be quiet." He is all too aware of the absurdity of scolding a creature of the night as though he has any means to enforce his demands. Then again, perhaps he does - he has something she wants, after all. "My landlady does not approve of guests at this time of night." Least of all female ones, although he doubts she would evict him for it - indeed, he has a suspicion that she worries about their lack. Still, he agreed when renting a bachelor's rooms that he would not bring loose women home, and he is, historically, more a man of his word than this.
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"I do seek to be invited again in the future, and so I shall keep your gentile request in mind." Still, he took her arm, and still, his cheeks are flush as the first red of morning, which seems to mellow the waves of her agitation just a tad. "Do you ever honour her wishes? In life, I would have given much to rent rooms of my own, far from prying eyes, to invite whoever I so please."
It's a teasing, lowly jest so obvious she cannot hold it back. "And whoever so pleases me."
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"I am not a wealthy man, and her rent is reasonable. I would be a fool to jeopardise my lodgings for the sake of fleeting pleasure."
And if she chooses to read deeper into that, to understand that it is not only the roof over his head that he will esteem more highly than carnality, then that is her choice. It is not dishonesty to tell more than one truth at a time.
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Still, she tilts her head to the side, watching him. "How odd. By the looks of you, I took you for a nobleman's son." The sort of man who never had to worry about upsetting a landlady, someone who only rented to have a space away from a nagging wife or other troublesome relation. A space not to live in, but to use and discard, away from the sort of prying eyes a manor might attract.
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"Hardly. I am no-one's son at all." A fact whose sting has long since faded into the background, after some thirty years of orphaned life. He wonders, of course, about his parents and what fate brought him to the sisters' doors; there will always be times when, in quiet moments, he finds himself in melancholy search of clues in the scattered remnants of his earliest memories; but in the end, he has come this far with no father but the Heavenly one, and no family but those who took him in. He lengthens his stride a little, but his tone is easy enough. "I hate to disappoint you, but I cannot offer noble blood to slake your thirst. You must settle for a poor clerk's, or else call an end to our agreement."